New Chapter
Viola Klein
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New Chapter
cat. MEA057
release EP + digital
release date October 24, 2025
mastering Helmut Erler
distribution Rush Hour
artist page

On the record New Chapter, sound from all directions of the sky is transformed as it flows through the bodies of the musicians. The source material is Viola Klein’s solo record Confidant and the collaboration with the Sabar Ensemble Diop from Saint Louis, titled We. Whodat in Detroit, Kassem Mosse in Leipzig, Nídia in Lisbon, and Viola Klein in Cologne and Dakar reshape the places where Deep House, Leftfield, Kuduro, and Mbalax originated and/or continue to thrive: the USA, Germany, Portugal, and Senegal.
 
Thanks to Filho Único, Nelson Gomes, Joana Cardoso, Earnestine McQueen, Helmut Erler, Katha Schulte, Jay Chung, Georg Odijk, and my family in Dakar.
 
With the support of Kulturamt Stadt Köln

reviews

Beautiful, off-kilter, jazzy Deep House warmth & Senegalese drumming
 
https://hardwax.com/

Deep house journey-woman Viola Klein invites Detroit’s Whodat, Sabar Ensemble Diop from Saint Louis, plus Kassem Mosse, Nídia, and pals, to the party for a cool expansion pack to 2024’s ‘Confidant’ EP
 
Produced between Klein’s Köln & Dakar bases, and tagging in standard bearers of the sounds she references, ‘New Chapter’ opens out a family tree of implied links between deep house and its roots and branches. The original three-part EP supplies plentiful source material for the remixers alongside a handful of Klein’s exclusive new cuts and alterations for a sweetly variegated half hour of moods & grooves.
 
On her ones, Klein lends the all too brief piano study ‘Rely on the Key of a Flat’ plus a elusive glimpse of Senegal in her field recording ‘Picci Bis Bi Ci Dakar’, whilst finding tender new angles on her beatdown groover ’Snooze’ set supine, shoreside in the Seashore Korg X5D mix, and what sounds like Theo Parrish after too many edibles in the Oiseaux De La Nuit mix.
 
Detroit spar Whodat follows their 2019 Workshop split with a ruggedly slompy mix of ‘Boldness’, next to an ace, heads-down sleepwalker house mix of ’Snooze’ by another Workshop alum Kassem Mosse, but most impressive are the clipped canter of Nídia’s kuduro take on ‘Love in Life’ reminding us of weirdo Howard Thomas jams, and certainly the pair of swingeing mbalax by Sabar Ensemble Diop.
 
https://boomkat.com