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As Above, So Below & Rhythmus 19

 presented by KultKom & meakusma 

  • AS ABOVE, SO BELOW A/V live performance by Mark IJzerman & Sébastien Robert

‘As Above, So Below’ explores the changing landscape of La Araucanía region in south-central Chile through live visuals and sound. This audiovisual performance probes into the dualism of man’s relationship with nature via sonic research made by Sébastien Robert, French interdisciplinary artist and investigative visuals created from satellite imagery as well as microscopic and drone footage by Dutch media artist Mark IJzerman. During a residency in Chile they researched the logging industry that has been eroding the biodiversity of the region, causing disruption to the ecosystem.
‘As Above, So Below’ specifically focuses on the shrinking amount of old-growth forest and biodiversity versus the increase in eucalyptus and pine plantations in La Araucanía, in which the indigenous Mapuche are about a third of the total population. Mapuche activists have allegedly been burning crops, blocking roads and setting forests ablaze in an attack on the big corporations that have taken over their ancestral lands in the last 50 years. The activists claim that the logging industry’s introduction of water-hungry pine and eucalyptus trees since the 1980’s has damaged the ecosystem, as well as hurting local agriculture by reducing the supply of available water. This has lead to a decreasing amount of jobs and thus local poverty. While forests in Chile are increasing, these are mostly genetically engineered trees meant for the timber industry, with forests specifically grown for paper manufacturing and timber.
‘Emerging Threshold’ is the recorded counterpart to ‘As Above, So Below’. Released by Meakusma on April 1st, 2021, it is an album rich in both intimacy and wideness of scope.
https://markijzerman.com https://sebastienrobert.nl

  • RHYTHMUS 19 by Cristian Ionescu
Started out as a DJ and turntablist and later began producing electronic music. He nowadays focuses on electro-acoustic music.
For these 1920s silent movies from the Dada movement, electro-acoustic music techniques combined with an 80s and 90s-influenced DIY approach are applied to create a musical backing that emphasizes the images’ texture, lighting, dynamics, form, movement, rhythm and the characteristics of the projected analogue film material itself.
Where classic silent film scoring rather intends to accompany the moving images, Rhythmus 19 aims to bring image and sound together in a symbiotic way to show similar characteristics and parameters between early day film experiments and postmodern music creation.

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