A Passport and a Visa Stamped by the Holy Ghost
Klein worked for a New York church’s audio ministry; she mixed the choir, recorded the sermons and services, and later, knowing who was shouting, put parts of them in her MPC. Klein interviewed intellectuals in person to extract deep house messages from the conversations. Klein brought a close friend’s hypnotizing Detroit deep house beat to the patio of a Senegalese Sabar ensemble to ask if they wanted to respond to it.
Having learned the piano and jazz theory in her youth, Klein composes all the keys on her records. If a sound feels right, let’s go with it, is her position. Excellence of technique isn’t crucial for selecting sounds. Klein was tempted to study jazz though she ended up studying art. Her sound is a reaction to living in a world in which words are said to be powerful when they are far from adequate to describe many relations.
She was shaped by spiritual jazz, mostly from the 70s, polyrhythmic environments, and the Detroit sound at the turn of the millennium. On a scholarship in Detroit in 2005, she was welcomed by Aaron-Carl (R.I.P.) in his studio and witnessed studio setups used as tools for survival. Back in Germany, Klein missed hearing those forms of house on dance floors, so she started spinning as a kind of transatlantic communicator.
Community centers were turned into one night clubs quite a lot under the Bring Your Ass name of Klein’s celebration series, which brought the ambassadors of Detroit house in person. That’s how she gives thanks for the hospitality she has received in Detroit since 2005. One guest told her all Saturdays should be like that. Klein is an unofficial pupil of David Mancuso’s craft. We’ll take care of the details - come as you are.
Coming from Frankfurt, an early influence on her sound was her fellow student Frank Metzger, the former vocalist of Oval. After moving to Cologne in 1998, she was part of the record distribution Groove Attack for a couple of years. Stecken night club was the place for her regular DJ appearances. A-Musik is her adopted music family in her hometown Cologne.
When Klein is spinning records, she is used to going from Don Cherry to Detroit’s experimental house to Tama Walo to ESG to Jaco Pastorius to Wendy & Lisa to Aby Ngana Diop to a Salsoul Acappella layered on a rough bassline to Jaki Liebezeit to Justus Köhncke to Hypnotic Brass Ensemble to Yusef Lateef to whatever she wants to say - she is definitely not holding back.
Celebrating the openness of sound is what the new record and collaboration with Florent Kandety and Georgia Anne Muldrow does for sure. Like standing in a sound corridor between two or more clubs. Kandety gave a Senegalese sound expressing astonishment as well as his falsetto to Klein’s Zoom recorder and a personal chant through a long-distance internet phone call. The US American Muldrow tests the range of our perception with her interpretation of empathy. Klein composes keys, plays and arranges organ, bass and drums to cherish the vocals sung for her.
Excellent, Free Jazz infused Deep House bomb
Supremely earthy, astrally inclined house, folk and soul blessed with guest vocal by Georgia Anne Muldrow. An outstanding session warmly RIYL Theo Parrish, STL, Beatrice Dillon…
“Aus Gründen der Wertschätzung”
Egalitär hören und feiern: Die Kölner Produzentin und Künstlerin Viola Klein macht elektronische Tanzmusik mit ethnografischer Genauigkeit.
For this release, the Meakusma label have provided an incredibly detailed biography spanning Viola Klein’s numerous credentials which we won’t list here. What we can confirm however is ‘A passport and a visa stamped by the holy ghost’ is a magical and cosmopolitan 12″ which hits several sweet spots. Florent Kandety and Georgia Anne Muldrow guest on three tracks of coldly comforting, abstracted deep house and tender Senegalese field recording – simply a must for the Theo Parrish, Tribe of Colin, and Don’t DJ fans among you. Special!