The Brussels-based Razen make experimental and minimal music with unconventional instruments, focusing on tuning, intonation and the use of intervals. Their “The Night Receptionist” album is easily the most monochrome and minimal music the band has ever recorded, with a timbral effect that is dreamy and twilight-like, Bryan Lewis Saunders’ voice adds a layer of hushed disconnection and disenchantment, recounting the story of a failed gymnast turned night receptionist, wishing for acts of anti-gravity and catching salamanders. It is music for the early hours of the morning, music that explores the undercurrent of thought processes on the threshold of deep sleep.
 
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